Sat Sep 17, 2016 10:39 pm
Use 8 ohm or 16 ohm PA horn drivers from Atlas Sound or similar - do not use pro-audio compression HF drivers. Also, do not use 70/100V drivers. Wire the horn drivers so that they present a net impedance of between 4 and 8 ohms. For drivers connected in series, the impedances of each driver add together, and then for multiple groups of one or more drivers wired in parallel, with the same configuration of drivers per group, the result impedance is the impedance of each group divided by the number of groups.
Suppose you have 8-ohm drivers, and you have a total of eight units. Wire them together in four series-wired groups of two drivers per series group, giving you 16 ohms per group. Then wire the four groups in parallel, dividing 16 by 4 to give a final impedance of 4 ohms. Most amplifiers can drive this load safely.
If you have two amplifier channels available, but they are only rated to support 8-ohm impedance per channel, then wire two of the above-described 16 ohm series groups in parallel to give an 8 ohm load from a set of 4 drivers, then do the same for the other two groups, and connect each 8-ohm set to a different amplifier channel.
If you have the same group of 8-ohm drivers, you can wire them together in two groups of four drivers wired in series for total impedance of 32 ohms, then you can wire the two 32-ohm series groups of drivers in parallel to give a 16 ohm impedance, which most amps can tolerate but your power output will be reduced by half so you will need a higher power amplifier. The benefit to the higher impedance load is the amp will run cooler.
Keep in mind, if you have a two-channel amplifier, you can NOT just strap the two channels together at their outputs to give a single set of positive and negative outputs. This will result in one channel of the amp driving the low output impedance presented by the other channel, parts will burn out, and the amp will be ruined.
I hope this helps.